
| Three HotelsandFour MonologuesBy Jon Robin Baitz
Three Hotels directed by Charles E. Polly Assisted by Simon KaplanFour Monologues directed by Robert A. Zick, Jr. Assisted by Simon Kaplan
at the Thick House 1695 18th Street, San Francisco Runs March 18-April 11, 2004 |
Eastenders Repertory Company presents Three Hotels and Four Monologues.
A searing indictment of corporate corruption, Three Hotels
examines the issues of personal and global responsibility during our current
era of American economic colonialism. Three Hotels is presented as a series
of three monologues set in three hotel rooms in Morocco, the Virgin Islands
and Mexico. In the first segment, "The Halt & The Lame," we meet Kenneth
Hoyle, an international businessman selling defective baby formula to
third-world markets. "Be Careful," Part Two of the evening, introduces us
to Hoyle's wife Barbara, the not-so-perfect corporate soul mate. At a
corporate summit she gives a speech to "the Girls" -- young wives assigned
to the Third World -- and reaches her breaking point. The third monologue,
Hoyle's confessional after the fall, finds him alone in yet another hotel
room, amidst the Day of the Dead celebrations in Oaxaca.
Four Monologues is a short piece that spotlights
pressures brought to bear on the National Endowment of the Arts. |
Three Hotels Cast:
Craig Souza as Kenneth Hoyle
Michaela Greeley as Barbara Hoyle
Four Monologues Cast:
Craig Souza in Standards & Practices
Suzan A Kendall in Library Lady
Gina Seghi in The Girl on the Train
Reg Clay in Broadway
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What the Critics Said:
“Director Charles E. Polly gets strong, focused performances from Greeley
and Souza...who together ensure that the play’s ultimate emphasis on
corruption comes over in compellingly intimate terms.”
- Rob Avila, San Francisco Bay Guardian
“...Michaela Greeley is pitch-perfect in the role of a chafing, liberal
spouse ...These three monologues feel spare and sometimes static, but they
travel a surprising distance in a short amount of time. Baitz has written
an unexpectedly moving show.”
- Michael Scott Moore, SF Weekly
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